Factors Affecting Arts Marketing of Theaters in Hanoi, Vietnam
NGUYEN THI ANH QUYEN
Cultural and Arts Management Faculty
Hanoi University of Culture
418 La Thanh St, Dong Da district, Hanoi city
VIETNAM
https://huc.edu.vn
Abstract: - Arts marketing is the inevitable development trend of contemporary society, in the context of
international exchanges and integration deepening and the competition in the arts field is becoming more and
more intensive. If arts organizations want to successfully carry out marketing activities, they need to have a
deep understanding of both theoretical and practical aspects of arts marketing. Theoretically, many researchers
have pointed out that the factors impacting and affecting arts marketing include internal environment and
external environment factors, in which the important factors are the external environment ones, including:
Economic, political and legal factors; Cultural, social and technological factors. The objective of this study is to
evaluate the influence of external environmental factors on arts marketing of theaters in Hanoi, Vietnam. The
author inherits the above research points and conducts a practical survey for 50 managers and 150 artists of 12
theaters in Hanoi capital, Vietnam. The important contribution of the study is shown by the author through the
results of testing the scales, analyzing the correlation between the scales and testing the research hypothesis,
which is: economic, political, legal factors (EPL) and Cultural, social and technological factors (CST) all have
an impact on arts marketing (AM) of theaters in Hanoi, Vietnam. Moreover, Economic, political and legal
factors (EPL) have a stronger influence on Arts Marketing (AM). The research results are also meaningful to
many Vietnam's arts managers in planning and adjusting policies to achieve results and effectiveness in
marketing activities to bring art works to the public; adapting to the market, in line with the movement and
development trend of Vietnamese society and international integration.
Key-Words: - Arts marketing, external environment, affect, theaters, Hanoi, Vietnam.
Received: March 27, 2021. Revised: February 13, 2022. Accepted: March 16, 2022. Published: April 15, 2022.
1 Research Introduction
Hanoi is the cultural and political center of Vietnam,
with its open-door policy, exchange and integration,
and rapid economic development has created
favorable conditions for the shaping and
development of the arts market. Art products are
increasingly diverse in both quality and quantity,
and the audience segmentation is also becoming
clearer. With an area of 3,324.92 km2, a population
of more than 8 million people and an estimated
5.420 USD GDP per capita [8], Hanoi has up to 21
State-Owned theaters, not to mention many
companies operating in the field of entertainment.
The increasing number of entertainment companies
shows that Hanoi's arts market is constantly
evolving. The large number of theaters, art troupes
and entertainment companies operating in the area
has created a strong competitive environment and
contributed to promoting the demand for arts
enjoyment of the capital's general public.
With the political and social characteristics of
the country in the process of developing and
integrating, transforming the model of a centrally
planned economy into a commodity market
economy with many sectors and development fields
in the direction of socialization, strong competition,
but the arts field is still struggling in competing and
developing the market. This is because there are still
many middle-aged people - who are too familiar
with the subsidy mechanism, even in Hanoi, so they
are not ready to accept art products that follow the
new trends. On the other hand, there are still aged
audiences, who love theatrical arts but have
financial and health difficulties; In contrast, there
are young people who can afford it but prefer other
forms of entertainment. This is one of the great
challenges that theaters located in Hanoi have to
tackle nowadays.
This fact poses a requirement for arts
organizations to adapt to the changes of the social
environment. Many researchers have also
generalized external environmental factors into two
main groups: Economic, political and legal factors;
Cultural, social, and technological factors [1, 21].
With the context of Hanoi, it can be seen that
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Economic, political, legal, Cultural, social, and
technological factors are currently the levers that
contribute to creating many opportunities and at the
same time bring about challenges that force theaters
to carry out arts marketing activities in a more
scientific, methodical and active way so that they
can survive and develop in the integration
conditions. In other words, the fact that theaters are
interested in promoting marketing activities is also a
way for theaters to adapt to the requirements of the
market in which competition is increasingly fierce
and theaters are required to become more dynamic
and creative in all aspects.
2 Research Overview
Over a long history period, some researchers, arts
managers and artists have the idea that art products
cannot be "cheap" like normal goods because it has
its own characteristics. Therefore, the term "arts
marketing" is hardly used in arts management.
However, in the development trend of contemporary
society associated with the marketization of all
kinds of products and the socialization of the supply
of products and services, the concept and approach
to arts products also have gone through changes and
the term “arts marketing” was gradually adopted to
“increase the creativity of arts organizations and
facilitate public access to art products” [3].
Discussing the characteristics and role of arts
marketing, many researchers emphasize the
creativity of arts organizations, the creativity of
artists in the direction of meeting the needs of the
public and bringing innovative products to the
public., not just for arts purposes. “Marketing’s role
is, therefore, not to influence the kind of art
produced bit solely to match the artist’s creations
and interpretations with an appropriate audience”
[13]. Although accepted in accordance with the
development trend of the market economy, the art
goal is the core goal and also the main goal of arts
organizations, so "arts and culture marketing needs
to be apply creatively rather than conformingly to
general marketing principles, because arts product
has its own characteristics” [16]. This is different
from the goals of economic and commercial
organizations (profit goal is considered the main
goal, a measure of success).
Thus, arts marketing, although taking into
account the economic benefits for arts organizations
according to the general principles of marketing and
the market, researchers often emphasize more on the
role of being the connection between arts
organizations, artists and audiences; emphasizing
the appropriate approach between audience and
artists and arts organizations - the way the artist
conveys arts and cultural works, products, and
services to the audience, which is, connecting arts to
audiences: “marketing has helped bringing arts to
audiences and audiences to arts” [20].
With the above research points of view, whether
arts marketing is to achieve the goal of satisfying the
needs of the public, the economic goal is not the
number one priority, it is the goal of arts creation.
Arts - the core and fundamental goal of arts
organizations, artists and art managers. From here, it
is possible to generalize about the role of arts
marketing (AM), which is one of the tools to help
arts organizations and artists achieve their goals,
specifically: (AM1) Performing the task of
creativity in arts; (AM2) Establishing the needs of
the audience; (AM3) Meeting the needs of the
audience.
In the study of arts marketing, Robbins, S. et al.
(2006) and Byrnes, JW (2009) emphasize the need
for arts organizations to adapt to market, economic,
political, cultural, social, demographic,
technological and educational changes. Those are
the factors that have immense influence on arts
marketing activities. On the positive side, the above
factors have a direct impact on the development of
arts organizations; promoting the creativity of arts
organizations and artists in the direction of
diversifying products in accordance with the cultural
and social characteristics of the country and nation
and the trend of international integration in the
cultural field. On the negative side, these factors can
obscure arts creation goals of arts organizations and
artists if it is a one-sided orientation, regulation, bias
to serve politics and governance purposes. In
practice in Vietnam as well as in Hanoi, the
influence of economic, political, legal, cultural,
social, and technological factors... on arts marketing
is also shown according to the general principle and
is an issue that needs to be researched and
synthesized to serve policy making appropriately.
2.1 Economic, Political and Legal Factors
(EPL)
- Firstly, with developed economic conditions,
people's material life has been improved, which is
the basis for people to have conditions to pay for
their arts enjoyment needs; people are willing to pay
for the need to enjoy arts in proportion to their
income level (EPL1).
Vietnam has been in the process of reforming
from a subsidized and centrally planned economy to
a socialist-oriented market economy. With the
appearance of many economic sectors, Vietnam's
international economic integration process is
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deepening and becoming stronger, contributing to
promoting the development of the economy.
Vietnam's per capita income in the 2011-2020
period increased by 1.5, reaching 3521 USD/person
in 2020 [5], of which Hanoi is the locality with a
large contribution out of 63 localities, with over
10% of GDP for the country's economy.
The economy is developing at a strong speed,
the GDP of the country has achieved very
spectacular results that have created conditions for
the investment of the national budget and the budget
of Hanoi city in the field of arts. When economic
conditions develop, people's material life is
constantly improved, which is the basis for people to
have conditions to pay for the need to enjoy arts;
willing to pay for their need to enjoy arts in
proportion to their income to improve their quality
of life. The competitive environment leads to the
birth of an arts market that is diverse in terms of
products, quality and prices; Arts marketing is
promoted, thereby contributing to better meet the
demand for arts enjoyment of the capital's general
public. At the same time, it also creates certain
positive effects on creativity process in arts.
The demand for arts enjoyment, the need to
improve the quality of life of the public has grown
along with the development of the economy, which
has made important contributions to promoting the
arts market to become rich in forms and diverse in
methods in a competitive environment. Besides the
positive impacts, the market economy mechanism is
also the environment that causes negative impacts to
the arts field. Many arts programs pursue profit
goals, even satisfying the erroneous entertainment
needs of some audience groups, while ignoring the
aesthetic values, fine customs and traditions of the
nation. This leads to "disasters", "deviations" in arts.
- Secondly, the guidelines of the Party and the
strategy of the Government of Vietnam on the
development of culture and arts promote the role of
competitive orientation for development of arts
organizations (EPL2).
The political system of Vietnam is characterized
by the fact that the Communist Party of Vietnam
leads the State and the whole society [24]. The Party
leads by setting guidelines for national development
in each field, and these guidelines are
institutionalized by the State into a legal norm to be
implemented in practice.
In the field of arts and culture in the renew
period, the Party's orientation was set forth in 1998
with the affirmation: "Culture is the spiritual
foundation of society, both a goal and a driving
force to promote socio-economic development" and
"Economic construction and development must aim
at cultural goals, for a fair and civilized society, for
comprehensive human development. Culture is both
the result of the economy and the driving force of
economic development. Cultural factors must be
closely linked with social life and activities in all
aspects of politics, economy, society, law and
discipline” [4].
The above goals and views on culture have
marked an important step forward in the process of
developing and perfecting the Party's theory of
culture, orienting cultural development in the
context of the country's international integration and
development socialist-oriented market economy.
This is a favorable condition for arts organizations
and artists to implement creative ideas and compete
for development in the field of arts. Arts marketing
is also popularly done since then.
- Thirdly, the laws and policies of the State
regulate the operation of arts organizations in
competitive development (EPL3).
The State uses legal tools and policies to
manage and regulate social activities. Laws, policies
on arts and culture as well as other socio-economic
policies are "expressed in the form of legal norms
promulgated by competent state agencies and
uniformly implemented within micro-national, local;
orient and regulate the socio-economic development
of the country and the locality” [15].
The main legal instruments, cultural and artistic
policies of Vietnam today related to arts activities of
theaters including the Decree on Regulations on
Performing Arts Activities [11], Planning overall
development of performance arts to 2020,
orientation to 2030 [17], Strategy for development
of Vietnam's cultural industries to 2020, vision to
2030 [18], The Strategy for Cultural Development
to 2030 [19], Policy to encourage socialization for
activities in the culture field [9], Regulations on the
autonomy mechanism of public State-owned
organizations [10] The above legal documents and
policies are promulgated on the principle of
complying with the guidelines of the Communist
Party of Vietnam on arts and culture field; play the
role of regulating the activities of arts organizations
in an appropriate form to develop these
organizations in accordance with the general plan on
the national network of cultural and arts
organizations.
This role clearly shows the impact value, mainly
the administrative impact. It is the regulation to
ensure that arts organizations operate in the
direction of developing competition; in order to
realize the objectives of state management, to
establish and maintain stability and order in the
development of arts organizations within the
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country. Arts marketing as the connection between
arts organizations, artists and audiences is of course
subject to this regulatory influence.
2.2 Cultural, Social and Technological
Factors (CST)
- Firstly, the globalization trend helps arts
organizations diversify their products, actively
create to compete for development (CST1).
Globalization is an objective trend, a living
reality of the world that is affecting the development
of all countries and peoples in the world in many
ways. The pressure of globalization on the arts and
culture sector can lead to six outcomes:
Americanization, homogeneity, diversity,
commodification, globalism, and localism [14].
Vietnam is no exception, globalization, cultural
exchange and acculturation is an opportunity for
foreign cultural products to appear in the domestic
media. Over time, it has influenced the concept,
lifestyle and value system that is evident in
Vietnamese society in general and in Hanoi in
particular.
In fact, young people increasingly tend to follow
imported cultural products, which creates great
challenges for the promotion of a nation's traditional
cultural values. Traditional arts forms such as
tuong, cheo and cai luong are increasingly
difficult to attract audiences, especially young
audiences. But that fact is also an opportunity for
competitive arts organizations to develop with
creative and arts products following the trend of
integration. In this case, arts marketing plays a role
in bringing artistic creativity to the audience. On the
other hand, the process of globalization,
international exchange and integration also opens up
opportunities for exchanging, learning and
cooperating among individuals, cultural and arts
organizations in Hanoi. The openness and sharing
have helped artists, managers and arts organizations
learn and apply knowledge and skills on arts and
culture management in the context of Vietnam's
strong development in socio-cultural. The process of
globalization along with cultural exchange and
acculturation not only creates conditions for
Vietnam to select, absorb, and transform cultural
phenomena and values from outside, but on the
contrary, introduce events, works and values of the
culture and arts of the Vietnamese nation in general
and of Hanoi in particular to international friends.
Globalization can also bring challenges to
cultural diversity, and potentially lead to cultural
homogeneity. This is an alarming situation. To
respond to the challenges, which is, “to combat the
negative effects of Americanization,
homogenization and commodification of culture and
arts, countries need to know how to take advantage
of the influences of externalized and adapted to the
particular values and purposes of the country [7].
- Secondly, the trend of the information society
creates an environment for product promotion and
the development of arts organizations (CST2).
The development of science and technology has
created an information society, which affects all
areas of social life. In the field of arts, the
information society has facilitated marketing
activities, created an environment for product
promotion and the development of competition of
arts organizations. This was emphasized in the
study: “inventions of science and technology and the
development of cinema, radio and television as
popular entertainment media, have had profound
effects on the world of arts” [2].
In Hanoi, along with the development of
economy, culture - society, science and technology
has witnessed a strong development, which creates
opportunities and challenges for the arts field. The
development of television technology, the internet -
home entertainment is a choice that is accepted by
many audiences segmentation because it is
convenient, inexpensive, can satisfy many, and
saves time. ... However, it also encounters certain
limitations compared to direct viewing of arts
programs. This situation leads to many audiences
enjoying entertainment programs at home instead of
going to theaters and cinemas. This is one of the
great challenges that requires managers and people
operating in the fields of culture and arts to focus to
find highly effective solutions. Arts marketing
through the application of social networking
technology/technology platforms will be an
inevitable trend in the information society
environment.
The inventions of science and technology also
created many opportunities for the field of arts.
Modern sound and lighting techniques, versatile
stage design have brought certain effects, improving
the quality of arts shows. Audio and video recording
technology has brought huge revenues to the
entertainment industry. Radio, television, internet,
printing technology,... become effective tools to
promote and transmit arts programs to attract
audiences as well as provide more choices and
opportunities to experience arts to the public, giving
arts organizations many opportunities to reach
audiences.
- Thirdly, the trend of socialization of the
cultural field sets the foundation for arts
organizations to attract resources and compete for
development (CST3).
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Vietnam is in the process of accelerating
administrative reform, moving from a governance
model to a service administration model. Social
subjects are increasingly mobilized to join with the
state to perform public service activities and set
socialization policies in many fields. This is also
suitable with the general trend of the administration
of countries around the world: “The general trend of
national governance and local governance in each
country is to mobilize a lot of participation from
social subjects to build a model of “small state, big
society” [23].
In the field of arts, socialization in the form of
mobilizing social resources for arts development has
been implemented since 1998 according to the
Party's guidelines, viewpoints and cultural goals in
the renovation period [4]. Hundreds of private arts
organizations in Vietnam have been established and
are competing with each other and with state-owned
arts organizations. Arts marketing is now used as a
key and an effective tool to bring arts products to
the audience to increase revenue for arts
organizations and artists. Hanoi and Ho Chi Minh
City, with the largest population of the country, are
the areas with the most arts organizations and the
areas that develop arts marketing.
Table 1. Research theoretical framework
No.
Scales
Level
2
3
4
5
1
Economic,
political and legal
factors (EPL)
EPL1. With developed economic conditions,
people are willing to pay for the need to enjoy
arts in proportion to their income.
EPL2. The Party's guidelines and the
Government's strategy on arts development
promote the role of competitive orientation for
development of arts organizations.
EPL3. Laws and policies of the State regulate
the operation of arts organizations in order to
compete and develop
2
Cultural, social
and technological
factors (CST)
CST1. The trend of globalization helps arts
organizations diversify their products, actively
innovate to compete and develop
CST2. The trend of the information society
creates an environment for product promotion
and the development of competition between
arts organizations
CST3. The trend of socialization of the cultural
sector sets the foundation for arts organizations
to attract resources and develop competition.
3
Arts Marketing
(AM)
AM1. Accomplish tasks of creativity in arts
AM2. Establish the needs of the audience
AM3. Meeting the needs of the audience
Source: Author compiled, built from the results of the general study
The above research theoretical framework
includes 03 scales, which are the dependent variable
AM, the independent variable EPL, CST with a total
of 9 observed variables. By defining observed
variables and scales, the author designed a research
model and hypothesis on the factors affecting the
arts marketing of theaters to carry out actual
research in Hanoi, Vietnam.
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Research model
Fig 1. Research model
Research hypothesis
H1: Economic, political and legal factors have an
influence on Arts marketing of theaters.
H2: Cultural, social, and technological factors have
an influence on Arts marketing of theaters.
In the above research model, the independent
variables (EPL, CST) affect the dependent variable
(AM) to different degrees based on the evaluations
of the managers and artists in the survey sample,
from that, it shows the actual level of influence of
each factor on the arts marketing of theaters in
Hanoi, Vietnam. This is the task that the author
needs to perform to clarify the relationship between
these variables.
3 Research Methodology
3.1 Case Study Method
The author uses the case study method because the
case study approach is widely recognized as having
the upper hand in testing ideas in practice.
Furthermore, case study research characteristically
emphasizes “depth of study rather than breadth of
study; Relationships/processes rather than
outcomes and end-products; Holistic view rather
than isolated factors…” [6]. The studied cases are
12 theaters in Hanoi with traditional and
contemporary arts forms; well-run, average, and
below average theaters; central theaters (under the
Ministry of Culture, Sports and Tourism) and local
theaters (under the Hanoi Department of Culture and
Sports).
3.2 Qualitative Method
The author uses qualitative method by collecting
and analyzing secondary data from published
scientific documents. The author distilled the key
research contents into the scales as summarized in
Table 1 and built a research theoretical framework.
In addition to the above scientific documents,
qualitative research is also carried out through
synthesizing and analyzing written opinions of
managers of the Vietnamese culture to clearly see
the reality of arts activities; actual factors affecting
arts marketing of theaters in Hanoi.
3.3 Quantitative Method
The author uses quantitative method through the
process of collecting and analyzing primary data in
the form of surveys and questionnaires. From an
overview of research on arts marketing, the research
scales were determined including: 02 independent
variables with 6 observed variables and 01
dependent variable with 03 observed variables. The
survey consists of 9 questions, which are 9 observed
variables in the scale. All observed variables are
measured by 5-level Likert measure: 1 - Strongly
disagree; 2 - Disagree; 3 - No comments; 4 - Agree;
5 - Strongly agree (Table 1).
The author conducted an official investigation at
12 theaters in Hanoi. The survey was conducted
selectively including 50 managers and 150 artists
with more than 3 years of experience in 12 theaters
in Hanoi, Vietnam. First, the author conducts a
preliminary interview to find out information and
probe the consent of the interviewees. The survey
results were 180 people who agreed to answer (50
managers and 130 artists) and 180/180 valid answer
sheets. The survey sample characteristics are shown
in Figure 1 and Table 2 below.
Economic, political and legal
factors (EPL1, EPL2, EPL3)
Cultural, social and
technological factors
(CST1, CST2, CST3)
Arts Marketing
(AM1, AM2, AM3)
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Fig. 2: Survey samples’ characteristics
Source: Author’s survey results
Table 2. Survey samples’ statistics
Gender * Position * Time Crosstabulation
Count
Time
Position
Total
Manager
Artist
3-5 years
Gender
Male
8
11
19
Female
6
5
11
Total
14
16
30
6-10 years
Gender
Male
10
28
38
Female
9
28
37
Total
19
56
75
> 10 years
Gender
Male
7
20
27
Female
13
35
48
Total
20
55
75
Total
Gender
Male
25
59
84
Female
28
68
96
Total
53
127
180
Source: Author’s survey results
The characteristics of the survey sample show
that the majority of managers and artists (150/180
people, accounting for 83.3%) who have more than
5 years of working experience, have experienced the
marketing policies of the theater that they work for.
This is a positive factor that helps increase the
reliability of the survey responses.
4 Research Findings
The author tests the scale to identify the reliability of
the observed variables in the model. The test results
show that all 9 observed variables have reliability
when meeting the standard conditions:
Cronbach'alpha > 0.6; Corrected Item-Total
Correlation > 0.3 [12].
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Table 3. Scale test results
No.
Scales
Observed
variables
Reliability
coefficients
(Cronbach’ Alpha)
The correlation
coefficient of the
smallest total variable
1
Economic, political,
and legal factors (EPL)
EPL1, EPL2,
EPL3
.813
EPL1 = .655
2
Cultural, Social,
Technological factors
(CST)
CST1, CST2,
CST3
.732
CST1 = .389
3
Arts Marketing (AM)
AM1, AM2, AM3
.691
AM2 = .486
Source: Author’s survey results
With qualified test results, the 9 observed variables
in the model continue to be used to analyze, evaluate the conclusions and test the research
hypothesis, shown in Tables 4 and 5 below.
Table 4. Variables’ statistics
N
Minimum
Maximum
Mean
Std. Deviation
Economic, political and
legal factors (EPL)
EPL1
180
2
5
3.86
.799
EPL2
180
2
5
3.79
.798
EPL3
180
2
5
3.66
.886
Cultural, social and
technological factors (CST)
CST1
180
2
5
3.80
.842
CST2
180
2
5
3.76
.882
CST3
180
2
5
3.67
.891
Arts Marketing (AM)
AM1
180
2
5
3.80
.787
AM2
180
2
5
3.72
.922
AM3
180
2
5
3.79
.857
Valid N (listwise)
180
Source: Author’s survey results
Table 4 shows the respondent's rating for each
observed variable that has reliability with Mean > 3,
in which the observed variable EPL3 has the lowest
mean: Min (EPL3) = 3.66; the standard deviation of
the observed variable EPL3 is the highest in the EPL
scale, with Std.(EPL3) = .886, showing the large
dispersion of the survey responses for the observed
variable EPL3 in the data set. With the method of
calculating the mean of the observed variables AM
= Mean (AM1, AM2, AM3); EPL = Mean (EPL1,
EPL2, EPL3); CST = Mean (CST1, CST2, CST3),
the author tested the correlation of 3 variables in the
model: dependent variable (AM) and two
independent variables (EPL, CST).
Table 5. Correlation between variables
Descriptive Statistics
Mean
Std. Deviation
N
EPL
3.7667
.70724
180
CST
3.7407
.70342
180
AM
3.7722
.67359
180
Correlations
EPL
CST
AM
EPL
Pearson Correlation (r)
1
.186*
.617**
Sig. (2-tailed)
.012
.000
N
180
180
180
CST
Pearson Correlation (r)
.186*
1
.192**
Sig. (2-tailed)
.012
.010
N
180
180
180
AM
Pearson Correlation (r)
.617**
.192**
1
Sig. (2-tailed)
.000
.010
N
180
180
180
*. Correlation is significant at the 0.05 level (2-tailed).
**. Correlation is significant at the 0.01 level (2-tailed).
Source: Author’s survey results
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Table 5 shows that there is a positive
relationship between two independent variables
(EPL, CST) and dependent variable (AM)
expressed by the coefficient 0 < r < 1. The impact
of Economic, Political and Legal Factors (EPL) on
Arts Marketing (AM) with r = 0.617 is stronger
than that of Cultural, Social and Technological
Factors (CST) with r = 0.192.
5 Conclusions and Recommendations
The results of analyzing and testing the above data
show that Economic, political and legal factors
(EPL) and Cultural, social and technological
factors (CST) all have an impact on Arts Marketing
(AM) of theaters in Hanoi, Vietnam. Economic,
political, and legal factors (EPL) have a stronger
impact on Arts Marketing (AM) (r = 0.617). The
hypotheses H1, H2 are accepted, the research
objective is to be carried out are the practical basis
for the author to suggest policies for Vietnam's art
managers:
- Firstly, theaters located in Hanoi capital need
to well implement the policy of diversifying and
streamlining arts products in accordance with the
needs and economic conditions of the people in
order to maximize economic resources for arts
creating purposes.
The statistical results of the average value of
the observed variables (Table 4), the value Max
(EPL1) = 3.86 show that: People's economic
conditions are the most decisive factor to their need
to enjoy arts. With the improvement of economic
conditions, people's material life is improved,
which is the basis for people to have conditions to
pay for the need to enjoy arts; people are willing to
pay for the need to enjoy arts in proportion to their
income level. When people's need to enjoy arts is
met with appropriate arts products, it will
inevitably be a favorable factor for marketing not
only to realize the goal of exploiting economic
resources from the public, but also is the driving
force for arts organizations to create and diversify
products in line with social realities.
- Secondly, from the survey results, this study
confirms: Theaters in Hanoi have favorable
conditions to carry out arts marketing activities
when Hanoi is a locality with developed economic
conditions, per capita income in the highest group
in Vietnam. Theaters in other localities of Vietnam
need to pay attention to the economic conditions
and income levels of local people when performing
arts marketing activities.
In addition to the obtained results, the
limitation of this study is that it only evaluates the
influence of external environmental factors on the
arts marketing of theaters in Hanoi capital,
Vietnam. Therefore, the author recommends that
for the following studies, it is necessary to conduct
studies to evaluate the impact of internal
environmental factors on the arts marketing
activities of theaters in Hanoi to get a more
comprehensive assessment, as a basis for planning
and implementing policies on management and
development of theaters in general and arts
marketing in particular.
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DOI: 10.37394/232015.2022.18.43
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E-ISSN: 2224-3496
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Volume 18, 2022